{"id":12546,"date":"2021-03-04T03:29:38","date_gmt":"2021-03-04T08:29:38","guid":{"rendered":"https:\/\/kscgd.com\/2021spring\/gdp1\/?p=12546"},"modified":"2021-03-04T03:30:02","modified_gmt":"2021-03-04T08:30:02","slug":"typeface-anatomy-2","status":"publish","type":"post","link":"https:\/\/kscgd.com\/2021spring\/gdp1\/2021\/03\/04\/typeface-anatomy-2\/","title":{"rendered":"Typeface Anatomy"},"content":{"rendered":"<p>Baskerville was one of my favorite fonts to read about. It was created by John Baskerville in<br \/>\n1757 and it is now considered to be a transitional typeface. This is because Baskerville displays<br \/>\na style that\u2019s between being \u201cmodern\u201d and \u201cold school.\u201d It contains serifs that are bracketed,<br \/>\nalong with thin to thick lines. I like this font because of the variation between the thick and thin<br \/>\nlines, as it does not have the same look throughout the letter, it makes it more interesting to<br \/>\nlook at. The next font, Didot, was created by Firmin Didot in the eighteenth century. In contrast<br \/>\nto Baskerville, Didot has no brackets, and has a variety of heavy and thick lines; it does not<br \/>\ntransition together in the letter, the thick and thin lines are separate. It accentuates thin<br \/>\nvertical lines followed by thick horizontal lines. Didot has a more \u201cstructured\u201d and modern feel,<br \/>\nwhile Baskerville has a more elegant look. Even though they are very different, they both have a<br \/>\nmodern element to them with the vertical lines being accentuated.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Baskerville was one of my favorite fonts to read about. It was created by John Baskerville in 1757 and it is now considered to be a transitional typeface. This is because Baskerville displays a style that\u2019s between being \u201cmodern\u201d and&hellip; <a href=\"https:\/\/kscgd.com\/2021spring\/gdp1\/2021\/03\/04\/typeface-anatomy-2\/\" class=\"more-link\">Continue Reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":112,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"class_list":["post-12546","post","type-post","status-publish","format-standard","hentry","category-03-classic-typefaces-anatomy"],"_links":{"self":[{"href":"https:\/\/kscgd.com\/2021spring\/gdp1\/wp-json\/wp\/v2\/posts\/12546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kscgd.com\/2021spring\/gdp1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kscgd.com\/2021spring\/gdp1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kscgd.com\/2021spring\/gdp1\/wp-json\/wp\/v2\/users\/112"}],"replies":[{"embeddable":true,"href":"https:\/\/kscgd.com\/2021spring\/gdp1\/wp-json\/wp\/v2\/comments?post=12546"}],"version-history":[{"count":1,"href":"https:\/\/kscgd.com\/2021spring\/gdp1\/wp-json\/wp\/v2\/posts\/12546\/revisions"}],"predecessor-version":[{"id":12547,"href":"https:\/\/kscgd.com\/2021spring\/gdp1\/wp-json\/wp\/v2\/posts\/12546\/revisions\/12547"}],"wp:attachment":[{"href":"https:\/\/kscgd.com\/2021spring\/gdp1\/wp-json\/wp\/v2\/media?parent=12546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kscgd.com\/2021spring\/gdp1\/wp-json\/wp\/v2\/categories?post=12546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kscgd.com\/2021spring\/gdp1\/wp-json\/wp\/v2\/tags?post=12546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}