Image from: Factors in Creating an Effective Typographic Hierarchy
Basic Type Hierarchy
01 Primary level
The most noticeable text on the page, usually bigger and a brighter colour than the other layers of text. Because it’s so powerful, this level should be sparse – reserve it only for headlines and decks (known as ‘furniture’).
02 Secondary level
Less noticeable than the primary level, but more noticeable than the main content, the secondary level handles everything in between. This level features some minimal but distinct elements in size and colour, and typically includes subheads, captions, pull quotes, infographics, or supportive blocks of text separate from the main content.
03 Tertiary level
This is the main content, the most common, and the least noticeable. It should be simple and not flashy – the goal of the other layers is to attract attention; the goal of this layer is to encourage the reader to become immersed in the text, hence less distraction.
04 Other levels
Smaller levels of hierarchy can be created by sparingly applying italics, colour, bolding, underlining, and other effects to tertiary type. These levels might include underlined links, a few bolded words for emphasis within paragraphs, etc. Text that shows up in banners, logos, or other background graphics also fall in this category.
This guy has some great points about hierarchy.
(8minutes)
Post : Beirut Poster Analysis
Choose a Michael Beirut poster from the Architecture Series (link above and here) with powerful typography and briefly discuss the poster in the following way:
What are the primary and secondary hooks?/ what do we see first and second?
Count the levels of type. / Size / Weight / italics
Discuss how it navigates. / eye travels without getting stuck
What aspect of it creates energy? / Design is exciting to view
How does it handle white space? / effective structural space
What makes it work? / overall impression and how it achieves impact
Include an image of the poster you have chosen at the top of the post.