Studio/Designer: Topcraft
The switch to the animation of the tapestry with the music sets up the vibe of the movie really well. I also really like illuminated text.
Studio/Designer: Shynola
It’s a classic. This sequence brings the right energy to get you in the mood for the film and sets the expectations for the stylization going forwards.
Studio/Designer: Chuck Cohen
I love how when it switches from William writing to just overlayed text, it’s still in his handwriting.
Studio/Designer: Richard Greenberg
The type is subtle, but fun and fitting. The whole sequence is high energy and sets up the plot and manages to introduce pretty much every character (and some of their musical themes) in a rather large cast.
