Continue to develop your set of translations using digital processes.
16. Curve Shapes Vector: use the pen tool with multiple curved shapes to create the forms.
17. Geometric Shapes vector: use the pen tool with only corner points (no curves) to create form.
18. Triangles: use only triangle to create all forms and values using that shape. Avoid letting the shapes touch each other.
19. Circles: use only circles (not ovals) with no overlap and space between
20. Type Image: use large and medium size letters. Do not use words, patterns or repetitive values. Evoke the dynamism of you creature. See this page.
21. Abstraction: amplify and simplify the creature’s features. This must express the idea and spirit of the creature using stylistic form.
Scan all previous hand-drawn translations. Do this as follows:
Convert your previous hand-drawn translations into vector art in Illustrator. Import each scan into illustrator and convert the bitmap image into a vector drawing using ‘auto-trace’. You will need to auto-trace the following hand translations. The numbers refer to the previous project list.
For translations with more tone such as a collage or finger smudge you will need to turn them into ‘half-tones’ in PhotoShop. The following will want to be turned into half-tone bitmaps and saved as .PSD files:
22. Original Photo as round 25 dot half-tone
23. Original Photo as round 9 dot half-tone
24. Original Photo as line 25 half-tone
25. Original Photo as line 9 line half-tone
Redraw the single contour fat line as a vector line in illustrator. Start by importing the image and drawing on a layer on top of it.
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